Mahishasura Mardini, Mahalaya Audio Songs
Mahishasura Mardini, Mahalaya Audio Songs
ri Mahishasura Mardini
Artist(s): Mahanadhi Shobana
Lyricist: S. Bharathi Ganesh
http://www.raaga.com/playerV31/index.asp?pick=30397&mode=3&rand=0.3331968385959938&bhcp=1
Sri Raja Rajeswari Ashtagam
Artist(s): Mahanadhi Shobana
Lyricist: S. Bharathi Ganesh
http://www.raaga.com/playerV31/index.asp?pick=30398&mode=3&rand=0.19781081325110317&bhcp=1
Mangala Rupini (Song)
Artist(s): Mahanadhi Shobana
Lyricist: S. Bharathi Ganesh
http://www.raaga.com/playerV31/index.asp?pick=30399&mode=3&rand=0.4034416130491141&bhcp=1
Sakthi Pravagam
Artist(s): Mahanadhi Shobana
Lyricist: S. Bharathi Ganesh
http://www.raaga.com/playerV31/index.asp?pick=30400&mode=3&rand=0.8564098455729433
Mahalaya
Mahalaya – Mahishasura Mardini
While we don’t mind waking up to Birendra Krishna Bhadra’s baritone for several Mahalayas to come, is Mahishasura Mardini never to see new voices?
Before you picked up today’s paper, you have probably experienced the magic— some rousing Sanskrit recitation, music and a dash of acoustic melodrama — thanks to the reverberating baritone of Birendra Krishna Bhadra. It goes without saying that this show at All India Radio, is what whole of Bengal rises to in the chilly predawn hours of 4 am, to be precise, on the Mahalaya.
Since the early 1930s, Mahalaya has become synonymous with Mahishasura Mardini recited by orator Birendra Krishna Bhadra. But in the Mahalaya morn of 1976, Bengal woke up to what can be called a jolt. “AIR decided to experiment and planned a special show. Uttam Kumar, was roped in to do the chandi path for us. He obliged, but the response we got was far from favourable,” says Ratna Sen, radio presenter with AIR.
Mahalaya, Mahalaya Online, Mahalaya mp3

The traditional six day countdown to Mahasaptami starts from Mahalaya. Goddess Durga visits the earth for only four days but seven days prior to the Pujas, starts the Mahalaya. The enchanting
oice of Birendra Krishna Bhadra fill up the predawn hours of the day thus marking the beginning of ” devipaksha ” and the beginning of the count-down of Durga Puja. Sarat in its bloom, mingled with the festive spirit of Durga Puja reaches its pitch on the day of Mahalaya. From this day starts ‘Devipaksha’ and marks the end of ‘Pitri-paksha’.
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